This novelized biography brings Alice Guy back to us, all of her determination, her creativity, her passion, her flaws, and her glory.
This book provides a close analysis of the one hundred Guy Blaché films that survive, and in the process rewrites early cinema history.

Alison McMahan is the author of the award-winning Alice Guy Blaché, Lost Visionary of the Cinema (Bloomsbury, 2002) and The Films of Tim Burton: Animating Live Action in Hollywood (Bloomsbury, 2005). She produces documentaries for Homunculus Productions, and writes screenplays and fiction.

Contact: Alison@HomunculusProds.com

What's new?

UPWIFT presents:
A Celebration of the First Woman Filmmaker, Alice Guy-Blaché

Three theaters within the UPWIFT region will present films by the first female filmmaker, Alice Guy-Blaché, as well as sneak-peeks into a new documentary about Alice by Pamela Green and a Q&A with the filmmaker.

Press release for the three events here.

Upstate Films/Rhinebeck, Sunday, December 11, 1:00PM:

A retrospective of Alice Guy's films will be shown tonight (September 23) as part of the Woman with a Movie Camera series at the Anthology Film Archives in New York City. The 90-minute program includes:

THE DRUNKEN MATTRESS / LE MATELAS ALCOOLIQUE (France, 1906, 7 min, 35mm, b&w, silent. Print courtesy of the Library of Congress.)

THE STRIKE (U.S., 1912, 12 min, 35mm, b&w, silent. Print courtesy of the British Film Institute.)

This filmography is an accompaniment to the article "Stereotypes and Archetypes in Early Spanish Cinema," by Francisco Griñán, edited and translated by Alison McMahan, New Review of Film and Television, digital publication  22 July 2016.

The films listed are only the ones mentioned in the article but it provides a good overview of early film production in Spain. Included are the films Alice Guy and her cameraman Anatole Thiberville filmed in Spain in October-November of 1905.

FILMOGRAPHY

* ph: phonoscenes
** sd: sound movie