Academic

Bloomsbury (originally Continuum)
A critical analysis of the surviving films of Alice Guy Blaché, the world's first woman filmmaker.

McMahan, Alison, Ph.D., "To Heal the Gap between Subject and Protagonist: Restoring Female Agency with Immersion and Interactivity," Ppaer for ASCA Mini-Conference, June 8, 2001, Amsterdam

"Madame a des Envies: Runaway Desire in the Gaumont Films of Alice Guy" Le Cinema au tournant du siecle/The Cinema at the Turn of the Century, The proceedings of the Third International DOMITOR Conference (New York 1994), edited by Claire Dupre la Tour, Andre Gaudreault and Roberta Pearson.

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Photo Essay from the works of Alice Guy in oltre l'autore I/beyond the author I, October 1996 issue of film journal Fotogenia.

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"Alice I attraktionernas Land" (Alice in the Land of Attractions) Aura, Vol. III, No. 3-4/1997 The University of Stockholm.

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"La Relation Gaumont-Lumière" in L'aventure du Cinématographe, Actes du Congrès mondial Lumière, Lyon: ALÉAS, 1999, pp. 125-131.

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"A La Recherche d'Objets Filmiques Non Identifiés: Autour de l'oeuvre d'Alice Guy-Blaché" Archives, 81: Août 1999" (entire double issue), 1999.

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"Sound Rewrites Silents", Kintop, Winter 1999, published in German as Stummfilmgeschichte im Licht der Tonbilder, Kintop 8, 1999, p. 141-158.

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"The Quest for Motion: Moving Pictures and Flight" in Visual Delights: Essays on the Popular and Projected Image in the 19th Century, edited by Simon Popple and Vanessa Toulmin, Trowbridge, UK: Flicks Books, 2000, pp. 181-193.

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